

it’s ripped from vinyl 192 in 2 mp3-files (side a / side b). So get their record death race 2000 here. so now i am sure that la muerte should come now in the story this blog somehow tells. and here i would like to point out that another link on their website goes into the direction of the work of kenneth anger. and i sometimes feel for that reason more connected to this social enviroment (let’s call it industrial / hard underground) then to many aspects of gay life. not necessarily gay, but connected to the gay hyper-masculinity in the knowledge that this is a certain style and that masculinity has nothing to do with authenticity (which is constructed as well, of course), and which is fun to play with because it opens up certain possibilities of creating relationships – be it sexual or not. It is a sequel to the 1975 film Death Race 2000. I always found fascinating how la muerte, as well as other artists like foetus, front 242, revolting cocks dealt with masculinity, creating a form of sometimes rather kinky hyper-masculinity (hello, the cramps!). Echternkamp, and starring Manu Bennett, Marci Miller and Malcolm McDowell. as it is an aesthetic decision this makes the music more interesting – it seems to be a consciuous artistic decision and therefore opens new levels of interpretation. so this is not really hardrock, it is rather rooted in industrial and uses the same radical aesthetic expression – also the extreme images of sexuality (see the booklet of their live cd raw: drawings between hr giger and manga of penetrating metal objects) and violence.

the links on their website give other reference points: elvis, the cramps, the young gods, jim thirwell (and somehow they do remind me at times of wiseblood), front 242, ministry and others. the goths took off like a flock of ravens…Īllright – this all points into the direction of hard rock, of motörhead and the like. and this blog needs something HARD and LOUD and DIRTY now. i’m not really sure why, but somehow la muerte just seem to fit here. i’ll get back to that in one of the next posts.
LA MUERTE DEATH RACE 2000 FULL
then la muerte entered the stage and played their filthy rock, dressed in full rocker gear, complete with bandanas and mirrored sunglasses. la muerte death race 2000 this has something to do with foucault’s ideas concerning homosexuality as a way to create relationships rather then being (only) a sexual orientation.

the funny thing was that they played after a goth band inspired by and also the trees and the cure – think fuzzy, dreamlike guitars and sad lyrics. 1989: DEATH RACE 2000: more rock and heavier than ever. i saw them live once – and they managed to empty the place in under five minutes. La Muerte - informations, albums, music videos Music Videos i La Muerte - Upcoming Events. La muerte were from 1984 to 1994 a belgium rock band – hard, dirty, loud, blasphemous (ecoute cette priere) and definitly a lot of fun.
LA MUERTE DEATH RACE 2000 MP4
LA MUERTE DEATH RACE 2000 DOWNLOAD
Click to activate the Download Links - Members only!Ģ. Names of 1000 people killed by LA County law enforcement since 2000 are seen among a growing pile of roses placed throughout the day in front of the. aka "Carrera mortal 2000", "Frankensteins Todesrennen", "Смъртоносна надпревара 2000", "Corrida da Morte - Ano 2000", "Año 2000 Carrera Mortal", "Cesta gladiátoru 2000", "Herrscher der Straße - Frankensteins Todesrennen", "Dødsrace 2000", "La carrera de la muerte del año 2000", "Kalmanralli 2000", "La course à la mort de l'an 2000", "Les seigneurs de la route", "Sasikvdilo rbola 2000", "Etos 2000: Koursa thanatou", "Rally thanatou sto etos 2000", "Halálos futam 2000", "Anno 2000 - La corsa della morte", "Wyscig smierci", "Corrida da morte no ano 2000", "Смертельные гонки 2000 года", "Ölüm yarisi 2000", "Смертельнi перегони 2000-го року" and "Herrscher der Strasse"ġ. Browse 61 death race 2000 stock photos and images available, or start a new search to explore more stock photos and images. Sometimes credited as: Penny Arcade / Mary Waronov Sometimes credited as: Luisa Moritz / Louisa Moritz-Fine
